ࡱ> )+&'(_ bjbjCC 0)D\)D\R-NN8 l~#_$$Lf$"$$$c%T%%^_`_`_`_`_`_`_$cef_,c%c%,,_$$_222,R$$^_2,^_22A|B$0FyNV,RAJ__0_B~f,.f$BBf2D% 'v2e),*s%%%__/%%%_,,,,f%%%%%%%%%N> : Robert M. Dowling 7 Prospect Street; New London, CT 06320; Home: (860) 271-1570; Office: (860) 832-2741 Email: dowlingrom@ccsu.edu; Updated: 3/4/2023 Education 19972001 The Graduate Center of the City University of New York (CUNY); New York City. Ph.D. in English with a doctoral certificate in American Studies. Areas of specialization: 19th and 20th-century American literature, drama, urban studies, ethnic studies, and cultural history. Oral Examination passed with distinction (August 1999). Three examination fields: American Literary Realism and Naturalism, Morris Dickstein. Ideology and Urbanization in American Culture Studies, Marc Dolan. Antebellum America in Literature and Popular Culture, David S. Reynolds. Dissertation: Slumming: Morality and Space in New York City from City Mysteries to the Harlem Renaissance. Dissertation committee: Professors Morris Dickstein, Marc Dolan, and David S. Reynolds. Winner of three competitive dissertation awards. 19961997 California State University; Fullerton, California. Master of Arts in American Studies. Graduate Assistant. Course: Introduction to American Studies (1996). Comprehensive Examination passed with distinction (May 1997). 19881992 University of Wisconsin; Madison, Wisconsin. Bachelor of Arts in History. Graduated with distinction in major. Junior Year Abroad at the Syracuse University Center; Florence, Italy. Teaching Experience 2004-present 91Ʒ Connecticut State University; New Britain, Connecticut. Professor of English. Tenure and promotion granted in 2008; promotion to professor in 2012. Excellence in Teaching Honor Roll: 2006, 2008, 2013 (Semi-Finalist), 2015, 2019. Courses: American Realism and Naturalism; American Drama; Modern Irish Literature: The Dramatists; Modern American Literature; Eugene ONeill; American Literature, 1865-Present; Mark Twain; The New York Novel; American Drama Between the Wars; Bohemianism in American Literature (Graduate); Irish-American Literature (Graduate); Introduction to College Writing; Sam Shepard and His World (Graduate); Sam Shepard and Eugene ONeill; Introduction to American Studies (AMS 110); Modern Irish Drama; Modern Irish Literature; Summer Program in Ireland (2). Spring 2004 Connecticut College; New London, Connecticut. Visiting Assistant Professor in the Department of English. Courses: Fictions of the New Nation; Seminar in Literary Interpretation; 21st-Century American Literature (self-designed); Senior Honors Thesis Advisor. 2001-2003 U. S. Coast Guard Academy; New London, Connecticut. Visiting Assistant Professor in the Department of Humanities. Courses: Composition and Speech; International Cadet Tutorial (self-designed); and Intro. to Literature; Coordinator: Intl Cadet Orientation Program (summer 2002). Summer 2003 Connecticut College; New London, Connecticut. Instructor in the Department of English. Course: American Literary Realism (self-designed). 19972001 Lehman College, CUNY; Bronx, New York. Adjunct Lecturer in the Department of English (1997-99). Courses: American Literature, Urban Writers, World Literature, College Writing. CUNY Writing Fellow in the Departments of History and American Studies (1999-2001). Books A Place in Time: The Life and Work of Sam Shepard. New York: Scribner [forthcoming, 2024]. Conversations with Sam Shepard. Co-edited with Jackson R. Bryer and Mary C. Hartig. Jackson, MS: University Press of Mississippi, 2021. Eugene ONeill: A Life in Four Acts. New Haven, CT and London: Yale University Press, 2014; paperback, 2016; trans. Shiyan Xu. Nanjing University Press: Nanjing, China, 2018. (Shiyan Xu was the winner of the highly competitive Writers Association of Jiangsu Provinces Purple Mountain Prize for Literary Translation and third prize for the Government of Jiangsu Province.) Los Angeles Times Book Prize Finalist (2014). Publishers Weekly Top Ten Pick for Literary Biographies, Essays & Criticism (Fall 2014). Reviewed in America Magazine, American Theatre, Australian Book Review [Australia], Bookforum, Booklist, Choice, Counterpunch, The Eugene ONeill Review, The Guardian [UK, On My Radar], The Hopkins Review, Intermission Talk, Irish Examiner [Ireland], The Irish Times [Ireland], The Irish Voice, The Key Reporter [Phi Beta Kappa Society], Kirkus Reviews, Library Journal, Literary Review [UK], London Review of Books, Modern Drama, The New York Times [By the Book], The Oakland Journal, Open Letters Monthly, Publishers Weekly (starred review), The Spectator [UK], The Sunday Times [London], Theatre History Studies, Theatre Library Association, The Times [London], The Times Literary Supplement [UK], The Wall Street Journal, The Washington Post, and The Weekly Standard. Eugene ONeill: The Contemporary Reviews. Co-edited with Jackson R. Bryer. American Critical Archives series. New York and Cambridge, UK: Cambridge University Press, 2014. Reviewed in (to date) The Eugene ONeill Review, Journal of Dramatic Theory and Criticism, and Theatre History Studies. Eugene ONeill and His Early Contemporaries: Bohemians, Radicals, Progressives, and the Avant Garde. Coedited with Eileen Herrmann. Jefferson, North Carolina: McFarland Publishers, 2011. Reviewed in The Eugene ONeill Review, The [San Francisco] Examiner, and Theatre Survey. Critical Companion to Eugene ONeill: A Literary Reference to His Life and Work. 2 vols. New York: Facts on File, Inc., 2009. Reviewed in American Reference Books Annual, Booklist, Choice, The Eugene ONeill Review, Irish American Writers and Artists (online). Slumming in New York: From the Waterfront to Mythic Harlem. Champaign: University of Illinois Press, 2007; paperback, 2008. Reviewed in American Historical Review, American Literature, American Literary History, American Literary Scholarship, American Literary Realism, American Studies, Choice, Goodreads.com, Journal of American Culture, Modern Fiction Studies, Modern Philology, Stephen Crane Studies, and Studies in American Naturalism. Articles and Selected Writings James Lights The Parade of Masks: Eugene ONeill as Would-Be Novelist. The Eugene ONeill Review 37:3 (Winter 2020). Eugene ONeill: A Life in Four Acts: The China Tour, April 2018. The Eugene ONeill Newsletter (Fall 2018): 8. Told in Context: Dorothy Days Previously Unpublished Reminiscence of Eugene ONeill. Edited with an Introduction. The Eugene ONeill Review 37:3 (Fall 2017): 1-12. Program note for the Irish Repertory Theatres The Emperor Jones (New York City). Spring Season 2017. Eugene ONeills The Hairy Ape: A Close Encounter with the Super-Natural. Program note for the the Old Vics production of ONeills The Hairy Ape (The Park Avenue Armory, NYC). Spring Season 2017. 1916: ONeills Debut. With Pulitzer-Prize-winning playwright David Auburn. The Dramatist: The Journal of the Dramatists Guild of America. 19:1 (September/October 2016): 40-43. A New Insight into Edmund Tyrone by Way of the Second Girl. The Eugene ONeill Review 37:2 (2016): 172-174. The Maid behind the Mahem: An Interview with Long Days Journey Into Nights Colby Minifie. Irish America (June/July 2016). The Fact that Im Irish: Eugene ONeill, U.S. Playwright and Irish Revolutionary. The Irish Times 27 April 2016. Program note for the Court Theatres Long Days Journey Into Night (Chicago). Spring Season 2016. 100 Years after the Discovery of Eugene ONeill, Hughie and Long Days Journey Into Night Open on Broadway. Yale Books Unbound 3 February 2016. Packed to the Doors with Astonishment. Program note for The Hairy Ape. Old Vic Theatre, London, UK (Fall Season, 2015). The Call of the Underworld: Teaching Class, History, and Literary Naturalism in Jack Londons South of the Slot. Approaches to Teaching the Works of Jack London. New York: MLA, 2015: 85-93. Return to Monte Cristo: An Uncovered Photograph of the ONeills on Tour, 1912. The Eugene ONeill Review 35:3 (2014): 80-85. Was the Unabomber a Fan of Eugene ONeill? The Daily Beast 6 November 2014. Eugene ONeill at the Ballot Box. The Huffington Post 4 November 2014 (Election Day). Jimmy Tomorrow Revisited: New Sources for The Iceman Cometh. The Eugene ONeill Review 34:3 (2014): 94-106. Eugene ONeills Exorcism: The Lost Prequel to Long Days Journey Into Night. The Eugene ONeill Review 34:1 (2013): 1-12. Rpt in Journal of the 91Ʒ Academy of Drama (Trans. by Shiyan Xu, China, 2018). Kathleen ONeill v. Eugene ONeill: Proceedings of the New York Supreme Court at White Plains, June 10, 1912. Edited with an Introduction. The Eugene ONeill Review 34:1 (2013): 13-27. Sad Endings and Negative Heroes: The Naturalist Tradition in American Drama. The Oxford Handbook to American Literary Naturalism. New York: Oxford University Press, 2011: 427-444. ONeill in Adaptation. Eugene ONeill Society Newsletter (Winter 2011). A Real Lady: Kathryne Albertoni, R.N. Eugene ONeill Society Newsletter (Spring 2011). [A remembrance of my interview with Eugene ONeills nurse, at 100-years old, in October, 2010.] Why ONeill? In Celtic Twilight: 21st-Century Irish Americans on Eugene ONeill. Drunken Boat #12 < http://www.drunkenboat.com/db12/04one/dowling/index.php> (September 2010). Celtic Twilight: 21st-Century Irish-Americans on Eugene ONeill. Edited with an Introduction. Drunken Boat #12 < http://www.drunkenboat.com/db12/> (September 2010). Riders of the Imagination: George Monteiro on Stephen Crane Studies. Studies in American Naturalism 5.1 (Summer 2010; includes exclusive interview with Monteiro): 37-50. A Cold Case File Reopened: Was [Stephen] Cranes Maggie Murdered or a Suicide? With Donald Pizer. American Literary Realism 42:1 (Fall 2009): 36-53. Denial Without End: Benjamin De Casseres Parody of Eugene ONeills Days Without End. Edited with an Introduction. The Eugene ONeill Review 30 (2008): 145-159. Do Not Weep, Maiden: Nellie Crouse and Stephen Cranes [poem] War is Kind. Stephen Crane Studies (Spring 2008): 15-20. The Screenews of War: A Previously Unpublished Short Story by Eugene ONeill. Edited with an Intro. Resources for American Literary Study Vol 31. New York: AMS Press, Inc. (Fall 2007): 169-98. On Eugene ONeills Philosophical Anarchism. The Eugene ONeill Review 29 (Spring 2007): 50-72. The Case for Georges Mother. Stephen Crane Studies 15.2 (Fall 2006): 18-37. A Marginal Man in Black Bohemia: James Weldon Johnson in the New York Tenderloin. PostBellum, PreHarlem: The Achievement of AfricanAmerican Writers, Artists, and Thinkers, 18801914. Eds. Caroline Gebhard and Barbara McCaskill. New York: New York University Press, 2006: 216-246. Ethnic Realism. A Companion to American Fiction, 1865-1914. Eds. Robert Paul Lamb and G. R. Thompson. Oxford: Blackwell Publishers, 2005: 356-376. Bartleby, the Scrivener. The Oxford Encyclopedia of American Literature. Vol. 3. Ed. Jay Parini. New York: Oxford University Press, 2004: 87-91. Stephen Crane and the Transformation of the Bowery. Twisted from the Ordinary: Essays on American Literary Naturalism. Ed. Mary E. Papke. Knoxville: The University of Tennessee Press, 2003: 45-62. Book and Performance Reviews Long Days Journey Into Night. Flock Theatre. Monte Cristo Cottage; New London CT. April 1-May 14. The Eugene ONeill Review 37:3 (2017). Great Experiations: Beyond Success: Tennessee Williams and Eugene ONeill. Tennessee Williams Theater Festival, Provincetown, MA, Sept. 22-25. Eugene ONeill Society Newsletter (Fall 2016): 15-16. Exorcism: A Play in One Act. By Eugene ONeill. 1919. Foreword by Edward Albee and Introduction by Louise Bernard. With a Typescript Facsimile. New Haven and London: Yale University Press, 2012. The Eugene ONeill Review 33:31 (2012). American Hungers: The Problem of Poverty in U.S. Literature, 1840-1945, by Gavin Jones. Princeton: Princeton University Press, 2008. Modern Philology 109:4 (May 2012): E000. Stephen Crane: The Contemporary Reviews, edited by George Monteiro. American Critical Archives 17. Cambridge, UK: Cambridge U. Press, 2009. American Literary Realism 44:3 (Spring 2012): 278-280. Hotel de Dream: A New York Novel, by Edmund White. New York: Ecco/HarperCollins Publishers, 2007. Studies in American Naturalism (Summer 2008): 188-192. Student Companion to Stephen Crane, by Paul Sorrentino. Garden City, NY: Greenwood Press, 2007. Stephen Crane Studies 16.1 (Fall 2007): 27-29. Marco Millions (based on lies). Waterwell, The Lion at Theatre Row, 410 W. 42nd Street, New York City. August 4-26, 2006. The Eugene ONeill Review 29 (Spring 2007): 83-87. Playing the Races: Ethnic Charicature and American Literary Realism, by Henry B. Wonham. New York: Oxford University Press, 2004. MELUS: The Journal of the Society for the Study of the Multi-Ethnic Literature of the United States 30.4 (Summer 2006): 269-271. Theodore Dreiser: Interviews, Frederick E. Rusch and Donald Pizer, eds. University of Illinois Press, 2004. American Literary Realism (Fall 2005): 186-188. Charles W. Chesnutt and the Fictions of Race, by Dean McWilliams. Athens: University of Georgia Press, 2002. MELUS 28.2 (Summer 2003): 241-244. Edith and Winnifred Eaton: Chinatown Missions and Japanese Romances, by Dominika Ferens. Urbana and Chicago: University of Illinois Press, 2002. MELUS 28.4 (Winter 2003): 234-237. Biographical Essays Eugene ONeill. American Writers, Vol.18. Ed. Jay Parini. Farmington Hills, MI: Gale. [Forthcoming] Hutchins Hapgood. American Writers, Vol. 17. Ed. Jay Parini. Farmington Hills, MI: Gale, 2007: 95-108. Paul Laurence Dunbar, James Weldon Johnson, and Carl Van Vechten. The Encyclopedia of African American Literature. Ed. Wilfred D. Samuels. New York: Facts on File, Inc., 2006. Hjalmar Hjorth Boyesen, Abraham Cahan, Mara Christina Mena Chambers, Anna Julia Cooper, Theodore Dreiser, Finley Peter Dunne, Edith Maude Eaton/Sui Sin Far, Winnifred Eaton/Onoto Watanna, James T. Farrell, Sara Winnemucca, and Zitkala-a. The Greenwood Encyclopedia of Multiethnic American Literature. Ed. Emmanuel S. Nelson. Westport, C.T.: Greenwood Press, 2005. Hutchins Hapgood. The Dictionary of Literary Biography: American Radical and Reform Writers. Ed. Steven Rosendale. Farmington Hills, MI: Thomson Gale, 2004: 192-199. Charles W. Chesnutt, John Dos Passos, Hutchins Hapgood, O. Henry, Annie Proulx (includes exclusive interview with Proulx), and Carl Sandburg. The Oxford Encyclopedia of American Literature. Ed. Jay Parini. New York: Oxford University Press, 2004. Reprints Eugene ONeills Exorcism: The Lost Prequel to Long Days Journey Into Night. Journal of the 91Ʒ Academy of Drama. Trans. Shiyan Xu (China, 2018). The Hairy Ape in Context. Program note for The Hairy Ape. Old Vic Theatre, London, UK. Yale Books Unbound. October 21, 2015. A Real Lady: Kathryne Albertoni, R.N. Eugene ONeill Society Newsletter (Fall 2013). [A remembrance of my interview with Eugene ONeills nurse, at 100-years old, in October, 2010. She died in 2013.] Riders of the Imagination: George Monteiro on Stephen Crane Studies. Rpt. in Comunidades (Azorean blog) Quinta, 28 de Julho de 2011. < HYPERLINK "http://ww1.rtp.pt/icmblogs/rtp/comunidades/index.php" http://ww1.rtp.pt/icmblogs/rtp/comunidades/index.php> (7/28/11). The Straw Is Sequel to Long Days Journey Into Night. Rpt. from Critical Companion to Eugene ONeill in Eugene ONeill Foundation Newsletter (Winter 2011): 3. On Eugene ONeills Philosophical Anarchism. Rpt. in Eugene ONeill and His Early Contemporaries: Bohemians, Radicals, Progressives, and the Avant Garde. Coedited with Eileen Herrmann. Jefferson, North Carolina: McFarland Publishers. Slumming: Morality and Space in New York City from City Mysteries to the Harlem Renaissance. 2001. Diss. excerpt rpt. in Jacob Riis, How the Other Half Lives. 1890. Ed. Hasia R. Diner. New York: Norton Critical Edition, 2009: 523-525. Under the Bridge and Beyond: Helen Campbell on the East Side Waterfront. Excerpt rpt. from Slumming in New York: From the Waterfront to Mythic Harlem in Gotham History Blotter. Gotham Center for New York City History < HYPERLINK "http://www.gothamcenter.org/features/blotter/index.shtml" http://www.gothamcenter.org/features/blotter/index.shtml> (Summer 2008). Stephen Crane and the Transformation of the Bowery. Stephen Crane: Blooms Modern Critical Views (Updated edition). Edited and Intro. by Harold Bloom. New York: Infobase Publishing, 2007: 149-166. Fellowships, Grants, and Awards 2006-2023 AAUP University Research Grants (14). Connecticut State University System. For book projects Critical Companion to Eugene ONeill, Eugene ONeill: The Contemporary Reviews, Eugene ONeill: A Life in Four Acts, and Celtic Twilight: 21st-Century Irish Americans on Eugene ONeill, China Academic Tour (April 2018) and A Place in Time: The Life and Works of Sam Shepard. 2019-2020 William J. Hill Visiting Researcher Travel Grant (Texas State University). For book project A Place in Time: The Life and Work of Sam Shepard. 2019-2020 Faculty International Research Grant (CCSU). For China Academic Tour (May-June 2019). April 2018 Honorary Credential. Harbin Normal University, China. (April 2018). Spring 2018 Sabbatical Leave granted for reading tour of Eugene ONeill: A Life in Four Acts in China. 2017 Eugene ONeill Medallion Award. The Eugene ONeill Societys highest honor for furthering knowledge and appreciation of ONeills life and work. 2005-2018 Faculty Development Grants (CCSU; 11). For talks at the Modern Literature Association (MLA), the American Literature Association (ALA), the Comparative Drama Conference (CDC), and the CCSU Program Look Back on Me. 2012-2014 Curriculum Development Grants (CCSU; 2). With Sociology Professor Beth Merenstein. Fall 2010 Sabbatical Leave granted for Eugene ONeill: A Life in Four Acts. June 2010 Norman Mailer Center and Writers Colony Fellowship (for Biography). Provincetown, MA. 2008 CSUS University Level Trustees Research Award. For a CSUS faculty member doing research/creative work of exceptional promise. 2008 & 2010 Deans Initiative Grants. College of Arts & Sciences (CCSU). For ALA and Eugene ONeill. 2007 Deans Initiative Grant. College of Arts and Sciences (CCSU). For Slumming in New York. 2005 Alumni Association Grant (CCSU). For CCSU Program Look Back on Me: New England Celebrates the 150th Anniversary of Walt Whitmans Leaves of Grass. 2005 Foundation Grant (CCSU). For CCSU Program Look Back on Me. 2005 Welte Cultural Enrichment Fund Grant (CCSU). For CCSU Program Look Back on Me. 2002 Richard C. Wade Dissertation Prize. The Graduate Center, CUNY. Award for the finest CUNY dissertation in the Humanities and Social Sciences. 2001 Irving Howe Dissertation Prize. Ph.D. Program in English; The Graduate Center. Award for finest CUNY dissertation in literature and politics. 2000 Lynn Kadison Award. Ph.D. Program in English; The Graduate Center, CUNY. Dissertation fellowship based on scholarship and service to the Ph.D. Program. 1999-2001 CUNY Writing Fellowship. The Graduate Center, CUNY. Awarded twice. Competitive graduate fellowship awarded to students throughout The Graduate Center. 19981999 University Fellowship. Ph.D. Program in English; The Graduate Center, CUNY. 19961997 Graduate Teaching Fellowship. American Studies Department; CSU, Fullerton. Conference Presentations Eugene ONeill Today: Pedagogy, Dramaturgy, and Transnationality. Panelist for the Eugene ONeill Society. American Literature Association. San Francisco, CA (May 2018). Eugene ONeill in Chinese Translation. Keynote Speaker. The 11th Annual Symposium of the Shandong Provincial Foreign Literature Association. Shandong Normal University; Jinan, China. April 23, 2018. How ONeills Irishness Translates for the Chinese. (With Chinese translator Shiyan Xu.) The Tenth International Conference on Eugene ONeill, Galway, Ireland (July 2017). The Fact that Im Irish: Eugene ONeill, U.S. Playwright and Irish Revolutionary. Kennedy Summer School: A Festival of Irish-American History, Culture, and Politics. New Ross, Ireland. Sept. 8 2016. A New Insight into Edmund Tyrone by Way of the Second Girl. Panelist for Eugene ONeill Society panel (with playwright Tony Kushner). Comparative Drama Conference. Baltimore, MD (April 2016). What Makes a Great American Playwright? Panelist. The Arthur Miller Centennial Conference. St. Francis College. Brooklyn, NY (October 2015). Eugene ONeill and the Unabomber. Hunted, Haunted, Home. The Ninth International Conference on Eugene ONeill, New London, CT (June 2014). Peopling His Isle with Calibans: Eugene ONeills Irish Legacy. Eugene ONeill Society panel. Comparative Drama Conference. Baltimore, MD (April 2013). The Irish Luck Kid: Eugene ONeills 1916 Provincetown Summer Revisited. Norman Mailer Society Conference. Provincetown, MA (October 2012). Eugene ONeills Exorcism: The Lost Prequel to Long Days Journey Into Night. American Literature Association (ALA) 22nd Annual Conference; San Francisco, CA (May 2012). A Pleasant Game We Were Playing: Cross-Class Marriage in the Plays of Eugene ONeill. Panelist, Provincetown Marriages On and Off Stage; 8th International Conference on Eugene ONeill, ONeill in Bohemia. New York, NY (June 2011). New Directions in American Literary Naturalism. Panelist for roundtable discussion. ALA 21st Annual Conference; Boston, MA (May 2011). Civilization Unmasked: Haiti and The Emperor Jones. Panelist for Space and Place in the Plays of Eugene ONeill. Modern Language Association (MLA); Los Angeles, CA (January 2011). Inscrutable Forces: Eugene ONeill and the Naturalists. ONeill Society panel, Intertextual Exchanges. American Literature Association (ALA) 20th Annual Conference; San Francisco, CA (May 2010). Peons and Panchos: John Reed, Eugene ONeill, and the Mexican Revolution. Modern Language Association (MLA); San Francisco, CA (December 2008). The Screenews of War: A Previously Unpublished Short Story by Eugene ONeill. American Literature Association (ALA) 18th Annual Conference; San Francisco, CA (May 2008). New York Stories: Lincoln Steffens, Hutchins Hapgood, and Abraham Cahan at the Daily Commercial Advertiser. 5th Annual Hawaii International Conference on Arts & Humanities; Honolulu (Jan 2008). Slumming in New York: From the Waterfront to Mythic Harlem, An Introduction. 5th Annual Hawaii International Conference on Arts & Humanities; Honolulu, Hawaii (January 2007). Leave Me Out of It: Eugene ONeills State of the Mind. ALA Symposium on Biography; Puerto Vallarta, Mexico (December 2006). Teaching the Tao House Plays. Panelist. ONeill Foundation Festival; Danville, CA (October 2006). Wrestling with the Octopus: The Ethnicity Paradox in Turn-of-the-Twentieth Century U.S. Fiction. New Directions in U.S. Ethnicity Studies ALANA Conference; U. of Vermont, Burlington, VA (June 2006). On Eugene ONeills Philosophical Anarchism. ALA 17th Conf; San Francisco, CA (May 2006). Ethnic Realism. Connecticut State University Faculty Research Conference; 91Ʒ Connecticut State University; New Britain, CT (October 2005). Impenetrable Mysteries: Stephen Cranes Bowery Tales and the Case for Georges Mother. Stephen Crane Society panel; ALA 16th Annual Conference; Cambridge, Massachusetts (May 2005). Ethnic U.S. Literature in the Age of Realism. Panel chair, panelist, and organizer; MLA; Philadelphia, PA (December 2004). Nobodys Old Sunday-School Picnic: Pre-Harlem Migration in Paul Dunbars The Sport of the Gods. Panelist for panel Broken Promises: The Urban Environment, Environmental Inequalities and African American Migrants, 1900-1914. Association for the Study of African American Life and History meeting; Milwaukee, Wisconsin (September 2003). Immigrant Voices in American Literary Realism, 1865-1914. Chair and panelist for special session; Northeast Modern Language Association; Boston, Massachusetts (March 2003). A Marginal Man in Black Bohemia: James Weldon Johnson in the New York Tenderloin. Panelist for Post-Bellum, Pre-Harlem: Rethinking African-American Literature and Culture, 1880-1914. MLA; New York City (December 2002). Ernest Pooles The Harbor and the Industrialization of U.S. Maritime Culture. Panelist for Cargo: U.S. Waterfront Culture from 1911 to 9/11. Far West Popular Culture/American Culture Association conference; Las Vegas, Nevada (February 2002). Hutchins Hapgood, Victorian in the Modern World. ALA Symposium, Biography: Telling Lives, Telling Lies. Puerto Vallarta, Mexico (December 2001). Nostalgia Nostrum: Recapturing Old New York Low Life in the 21st Century. American Culture Association Conference; Southern Connecticut State University; New Haven, CT (November 2001). Reversal of Fortunes: The Revision and Inversion by E. Annie Proulxs The Shipping News of Frank Norriss McTeague. Chair and panelist for New Historical (Re)visions. Contemporary American Authors; ALA Symposium; Santa Fe, New Mexico (October 2001). A Culture of Contradictions: Stephen Cranes Maggie and the Ideology of Victorian Respectability. Stephen Crane Society panel; ALA 12th Annual Conference; Cambridge, Massachusetts (May 2001). Under the Bridge and Beyond: Helen Campbell on the New York Waterfront. New England American Studies Association Conference; University of New Hampshire, Manchester (April 2001). Slumming in New York City from City Mysteries to the Formation of Greenwich Village. ALA Symposium, Rereading Realism and Naturalism; Puerto Vallarta, Mexico (December 2000). Among the Lower Million: City Mysteries and the Symbolic Act of Literary Slumming. Interdisciplinary NineteenthCentury Studies Conference; Yale University; New Haven, CT (April 2000). Witnessing the Theater of the Slums: Walt Whitman, Stephen Crane, and Henry James on the Bowery. CUNY Graduate Center English Student Association Conference; New York City (March 1999). The Greatest Lessons of Nature: Walt Whitman, the Bhoys and Ghals of the Bowery, and the Cultural Transformation of a New York Boulevard. The Many Cultures of Walt Whitman Conference; Rutgers University; Camden, New Jersey (October 1998). Stephen Crane and the Transformation of the Bowery. 91Ʒ New York Conference on Language and Literature, SUNY College at Cortland (October 1998). Selected Media Interviews Eugene ONeill Deserves a Closer Look. The Colin McEnroe Show. NPR. 6 November 2019. New York Times interview for article Discovering Eugene ONeills San Francisco by Joy Lanzendorfer. 7 October 5, 2018: TR6. Americas Troubled Shakespeare. Interview with The Thread. OZY.com. 16 October 2017. Boston Globe interview for article Provincetown Festival Explores Connections Between Williams, ONeill by Don Aucoin. Sunday Arts Section. 9 September 2016. Provincetown Tennessee Williams Festival. Art Talk radio interview with Chris Busa. Provincetown, MA. 21 September 2016. The Day [New London, CT] interview for article ONeills Long Days Journey Into Night, Set in 1912, Speaks to Current Opiod Crisis by Jody Benson. 19 June 2016. Boston Globe interview for article Dennehys Connection to ONeill Goes Soul Deep by Joel Brown. 3 June 2016. Times Union [Albany, NY] interview for article Chronicler of Genius by Joe Stalvey. 4 March 2016. Wall Street Journal interview for article Confronting the Past in Two ONeill Plays: Hughie and Long Days Journey Into Night Come to Broadway by Sophia Hollander. 23 February 2016. New York Times interview for article Gambling on ONeill: Forest Whitaker Make His Broadway Debut in Hughie by Michael Paulson. 3 February 2016: AR1. Talk of the Town with Larry Rifkin. Interview. WATR Radio. 15 December 2014. Moncrieff. Interview. Newstalk. Irish Radio. 24 November 2014. 91Ʒ Focus interview for article Robert Dowling: New Light on Eugene ONeills Life by Geri Radasci. (Spring 2013): 14. A Conversation with Robert M. Dowling on Eugene ONeill and the [Narrative] Arc. Interview by Jennifer Emerson. Masons Road: A Literary and Arts Journal. (July 2011). Interview for with Bill Hanrahan for Firsts: The Book Collectors Magazine. 21:1 (January 2011): 14-30. Interview. The Faith Middleton Show. NPR. WNPR, New Haven, CT. Aired: 21 Aug. 2008. The Day [New London] interview for article Eugene ONeill Short Story Is Unearthed in Virginia by Kristina Dorsey 6 Dec. 6 2006. New York Post interview for article ONeill Lit Find Sparks a Fury by Keith Kelly. 22 Nov. 2006. Selected Appearances, Talks, and Readings The Lives of Others: A Conversation with Biographers About Their Craft. Connecticut Literary Festival. 30 March 2022. New York Public LibraryThis Month a Century Ago: The Hairy Ape Premiere by Eugene ONeill. Online conversation (with Irish Repertory Theatre Artistic Director Ciaran OReilly). 29 March 2022. Meet the Tyrones. Talk-back for actors playing monologues from Long Days Journey Into Night. The Thames Club; New London, CT. 16 October 2021. Eugene ONeills A Touch of the Poet and More Stately Mansions. Talk-back with audience. Irish Repertory Theatre, New York, NY. 6 November 2020. (Zoom event for subscribers.) Guest Speaker. Playwriting II. The University of Kentucky, Lexington. Online. 23 April 2020. The School for Didactic Phantasm: A Call to Arms for American Literacy. Keynote Speaker. Sigma Tau Delta Induction Ceremony. CCSU. 14 November 2019. China Tour II: Eugene ONeill: A Life in Four Acs: Shanghai International Studies University (Shanghai); Shanghai Theatre Academy (Shanghai); Hunan University of Technology (Xiangtan); Sun Yat-sen University (Guangzhou). May and June 2019. On Eugene ONeills Super-Naturalism. The University of North Texas. 22 October 2018. China Tour I: Eugene ONeill: A Life in Four Acts: Hangzhou Dianzi University, Hangzhou Normal University, Nanjing Normal University, Fudan University (Shanghai), Minzu University of China (Beijing), Harbin Normal University, the Royal Asiatic Society (Shanghai), Tianjin Foreign Studies University, Zhenghzhou University, Nanjing University, and Librairie Avant-Garde (Nanjing). April 2018. James ONeill: The Prodigal Father. The Thames Club, New London, CT. 16 January 2018. Eugene ONeills The Emperor Jones. Talk-back with audience. Irish Repertory Theatre, New York, NY. 12 May 2017. ONeills Long Days Journey Into Night. Talk-back with audience. Monte Cristo Cottage; New London CT. 22 & 29 April 2017. Staged interview with director Richard Jones and star Bobby Cannavale on the Old Vics revival of ONeills The Hairy Ape. Park Avenue Armory, New York City, 31 March 2017. Reader at the American Poets Corners induction ceremony (Evensong) of Eugene ONeill. Cathedral Church of Saint John the Divine, New York City. 13 November 2016. Williams 101. Tennessee Williams Theater Festival. Provincetown, Mass. 21-24 September, 2016. Gene and Carlotta: The Origins of Eugene ONeills Sea Island Retreat. Pulitzer Prize Centennial Celebration. Hosted by the Chautauqua Series of the Coastal Georgia Historical Society. St. Simons Island, GA. 11 August 2016. ONeills Anna Christie. Talk-back with audience. Wharf Theater, Provincetown, Mass. 20 July 2016. ONeills Recklessness and Now I Ask You. Talk-back with audience. Metropolitan Playhouse, New York, NY. 26 June 2016. Eugene ONeill reading and talk. New York Writers Institue. Albany, NY. 10 March 2016. Irish Studies Reading Series. University of Missouri. St. Louis, MO. 4 February 2016. Eugene ONeill reading and talk. Essex Library. Essex, CT. 3 December 2015. 91Ʒ Authors Series. 91Ʒ Connecticut State University. New Britain, CT. 21 October 2015. Life of the Mind Salon Series. Redwood Library and Athenaeum. Newport, RI. 14 October 2015. Conversation with the Author Series. Quogue Library. Quogue, NY. 9 August 2015. Panelist for Then & Now: A Centennial Celebration of the Provincetown Players (with playwright Tony Kushner). Provincetown Theater, Provincetown, MA. 11 July 2015. Eugene ONeill reading and talk. Provincetown Theater. Provincetown, MA. 12 July 2015. Eugene ONeill reading and talk. Vagabond Theatre. Baltimore, MD. 28 March 2015. Eugene ONeill reading and talk. Mark Twain House. Hartford, CT. 13 January 2015. Eugene ONeill reading and talk. Politics & Prose. Washington, DC. 10 January 2015. Eugene ONeill reading and talk. Irish History Roundtable Lecture. New Haven, CT. 18 November 2014. Speaker at Commemoration for the 60th Anniversary of Eugene ONeills Death. Boston University. Boston, Massachusetts. 4 November 2013. Panelist for Realism: Birth of a Playwright and a New American Drama. The Eugene ONeill Festival. Monte Cristo Cottage. New London, CT. 19 October 2013. Eugene ONeills Exorcism: The Lost Prequel to Long Days Journey Into Night. Rennes 2 University, France. 7 December 2012. Panelist for Exorcism. The Eugene ONeill Festival. New London, CT. 6 October 2012. Eugene ONeill: A Life in Four Acts: A Preliminary Glimpse. Mary Cheney Library; Manchester, CT. 30 September 2012. Long Days Journey Into Night. Eugene ONeill Festival. Talk-back with audience prior to performance. Arena Stage. Washington, D.C. 14 April 2012. Sui Sin Far (Edith Maude Eaton) and the Ethnicity Paradox. Lecture for sessionin the course Chinese-American Literature; Connecticut College; New London, CT. 6 February 2012 and 11 February 2013. Panelist for Anna Christie: Opportunity, Employment, and Immigration. The Eugene ONeill Festival. Monte Cristo Cottage. New London, CT. 6 November 2010. The Irish and the Yankees in Eugene ONeills A Touch of the Poet. Keynote address. The Eugene ONeill Festival. Eugene ONeill Theater Center. Waterford, CT. 17 October 2009. Reading and book signing for Critical Companion to Eugene ONeill. Monte Cristo Cottage. New London, CT. 16 Oct. 2009. Anna Christie. Talk-back with audience. Metropolitan Playhouse. 220 E. 4th Street, New York City. 23 Nov. 2008. Keynote Address. CSU Undergraduate English Conference. 91Ʒ Connecticut State University. New Britain, CT. 10 Oct. 2008. The Screenews of War: A Previously Unpublished Short Story by Eugene ONeill. Southern Connecticut State University. Hosted by the Departments of English and History. 9 Sept. 2008. 91Ʒ Authors. TV Reading. 91Ʒ Connecticut State University Book Store. 16 April. 2008 The Pioneer: Four Early Plays (Plus One Monologue) from the Founder of Americas Modern Drama [E. ONeill]. Talk-back with audience. Metropolitan Playhouse. 220 E. 4th Street, New York City. 2 Dec. 2006. Books, Brushes, Jazz, and Blues Festival. Reading; Slumming in New York. New London, CT. 9 Sept. 2007. Pilgrims Monument and Provincetown Museum. Reading and signing; Slumming in New York. Provincetown, MA. 11 Aug. 2007. Irish Cultural Center at Elms College. Eugene ONeills The Emperor Jones: Page and Screen. Chicopee, MA. 12 April 2007. On Eugene ONeills Philosophical Anarchism. Faculty Presentation Series. CCSU (May 2006). Slumming in New York: From the Waterfront to Mythic Harlem, An Introduction. Faculty Presentation Series. CCSU (March 2005). Panelist for True Crime and American Culture: A Conversation. CUNY Graduate Center, the American Studies Certificate Program and the Ph.D. Program in English; New York City. 22 Oct. 2004. Ethnic Realism. Faculty Lecture. U.S. Coast Guard Academy; New London, CT (March 2003). Beth Jacob Synagogue. Early Jewish-American Writers. Adult Education; Norwich, CT. 11 Nov. 2002. Panelist for Balancing Act: American Humor in a Time of Crisis. Teaching After September 11th. CUNY Graduate Center. New York City. 10 Oct. 2001. CUNY Graduate Center. WAC or WID: What Writing Should a Historian Be Expected to Teach? WAC Initiative Summer Institute for Writing Fellows; New York City. 11 Aug. 2000. Manuscript Reader Reviews Brietzke, Zander. Magnum Opus: The Extant Cycle of Eugene ONeill. Yale University Press, 2021. Murphy, Brenda and George Monteiro. Eugene ONeill Remembered. University of Alabama Press, 2014. Sweet, Jeffrey. The ONeill: The Story of American Theater. Yale University Press, 2014. Dissertation Defense Committees Midgely, Patrick. Ghosts Within Ghosts: William Shakespeare as the Dramatic Subconscious of Eugene ONeills Tao House Plays. Diss. Texas Tech University, Lubbock, 2020. Thornton, Ryder. Belonging, Possession and the Ironic Life Force: Philosophical Synthesis in the Early Career Plays of Eugene ONeill. Diss. University of California, Santa Barbara, 2019. Zaleski, Monica. The Rise of the Neighborhood in American Literary Realism. Diss. University of Delaware, Newark, 2014. Le Bastard, Gwenola. He Dont Belong: La communaut impossible: les paradoxes de lcriture dans luvre thtrale de Eugene ONeill. [He Dont Belong: An Impossible Belonging: The Paradox of Writing in ONeills Drama.] Diss. University of Rennes 2, France, 2012. Other Work and Academic Service 2015-2020 Vice President of the Eugene ONeill Society (2015-17); President (2017-20); Board of Directors (2015-Present). 2017-2019 Board of Regents Research Award Committee, elected member. CCSU. 2016 Actor Jessica Langes background researcher for her Tony-Award-winning role of Mary Tyrone in Eugene ONeills Long Days Journey Into Night. 2016-2019 Sabbatical Leave Committee, elected member. CCSU English Department. 2013-2023 Departmental Evaluation Committee, elected member (2013-2016; 2020-2023); Chair, (2015-2016; 2022 to 2023). CCSU English Department. 2016 Guest Professor. Tennessee Williams Institute. Provincetown, MA. (Sept. 22-25). 2005-08, 10-16 Appointments Committee, elected member and Chair (2014-16). CCSU English Department. 6 hires. 2009-2012 Graduate Studies Committee, elected member. CCSU English Department. 2010-present Board of Directors, elected member. The Eugene ONeill Society. 2009-present Editorial Board, appointed member. The Eugene ONeill Review. 2012 Consultant for Video. Connecticut Library Association President Carl R. DeMilia reads a passage from Adventures of Huckleberry Finn by Mark Twain for the American Library Associations Banned Books Week. 2008-2010 Vice President, elected position. Stephen Crane Society. October 2009 Organizer, speaker, and panelist. Eugene ONeill: The Irish and the Yankees. Eugene ONeill Festival. Eugene ONeill Theater Center. Waterford, CT. 2009 Primary Reader. The American Hobo as Archetype by Andrew Piro. Masters Thesis. 91Ʒ Connecticut State University, 2009. 2008 Director, CCSU Program Remembering Norman Mailer. With Barry Leeds, J. Michael Lennon, and John Buffalo Mailer (April 24). 2006-2008 Special Examiner (course consultant/evaluator) for Charter Oak State College. 2006-present Program Committee, elected member. Stephen Crane Society panels, ALA 2006. May 2008 Chair of the Stephen Crane Society panel, Stephen Crane: Exploring the Ethnic Landscape of the 1890s. American Literature Association (ALA) 19th Annual Conference; San Francisco, CA. May 2006 Teaching Tim OBrien. Chair of panel for the American Literature Association (ALA) 17th Annual Conference; San Francisco, CA. 2005 Director, CCSU Program Look Back on Me: New England Celebrates the 150th Anniversary of Walt Whitmans Leaves of Grass. (September 22 and 23). 19992010 Television commercial scriptwriter, Powerhouse Productions (Cablevision). Over 150 commercials aired on Cablevision channels, New York City. 20002003 Vice President, New York Metropolitan American Studies Association (NYMASA). EditorinChief, The Metro, NYMASAs newsletter (three annually). 20002001 Placement Committee. Ph.D. Program in English. CUNY Graduate Center. Elected member of committee that places English Ph.D.s in fulltime positions. 19982001 Certified Writing Assessment Test (WAT) Reader for CUNY. 19982000 CUNY Graduate Center American Studies Group, Chair. Organizing and mediating discussions among Americanist scholars in New York City. May 2000 Contributor to American Literature Archive (database). Captions include: Lillie Devereux Blake, Fettered for Life (1874); Charles F. Briggs, The Adventures of Harry Franco (1839); Edward Z. C. Judson (Ned Buntline), The Bhoys of New York (1850); George Lippard, The Empire City: or, New York by Night and Day (1851); George Lippard New York: Its Upper Ten and Lower Million (1853). May 1999 Queering the Geographies of American Fiction. Chair of panel for the ALA 10th Annual Conference; Baltimore, Maryland. March 1999 Bartleby. Chair of panel on Melvilles story for the CUNY Graduate Center American Studies Group. Panelists included Professors Morris Dickstein, William P. Kelly, David S. Reynolds, and Joan Richardson; New York City. 1999 Research Assistant for John Rodden and Morris Dickstein for the book Opposing Selves: Lionel Trilling and His Critics. Ed. John Rodden. U. of Nebraska Press, 1999. 19981999 Faculty Membership Committee. Ph.D. Program in English. CUNY Graduate Center. Languages: Fundamental reading knowledge of French and Italian; some Russian and Czech. Academic References (in alphabetical order) Jackson R. Bryer; Professor Emeritus of English. University of Maryland, College Park. E-mail: jbryer@umd.edu Mark Charney; Director of the School of Theatre and Dance. Texas Tech University. E-mail: mark.charney@ttu.edu Marc Dolan; Associate Professor of English and American Studies; The Graduate Center, CUNY; E-mail: mdolan@gc.cuny.edu Richard Hayes; Head of School (Dean) of Humanities and Professor of American Studies; Waterford Institute of Technology; Waterford, Ireland. E-mail: rhayes@wit.ie Jerome Loving; Professor of English; Texas A & M University. E-mail:  HYPERLINK "mailto:j-loving@tamu.edu" j-loving@tamu.edu George Monteiro; Professor Emeritus of English; Brown University. E-mail: georgemonteiro23@yahoo.com Brenda Murphy; Board of Trustees Distinguished Professor, Emeritus; Univ. of Connecticut, Storrs. E-mail: bcmurphy33@hotmail.com Jay Parini; Axinn Professor of English; Middlebury College. E-mail: parini@middlebury.edu David S. Reynolds; Distinguished Professor of English and American Studies; The Graduate Center, CUNY. E-mail:  HYPERLINK "https://webmail.ccsu.edu/owa/redir.aspx?C=205723a32de94052bcc055612c48ccaa&URL=mailto%3areyn.sn%40gmail.com" reyn.sn@gmail.com Faye Ringel; Professor of English, Emeritus; United States Coast Guard Academy. E-mail: fringel@exmail.uscga.edu Paul Sorrentino; Clifford A. Cutchins III Professor of English; Virginia Tech University. E-mail: psorrent@vt.edu Shiyan Xu; Professor of Modern Languages; Nanjing Normal University; Nanjing, China. E-mail: helenhelen99@163.com     PAGE  Dowling PAGE 2 :GOQY_gp˽ˬܛܛykZkIZ;hR:CJOJPJQJaJ hIRhCJOJPJQJaJ hIRh6^CJOJPJQJaJhA/CJOJPJQJaJ hIRhwCJOJPJQJaJ hIRhS5CJOJPJQJaJ hIRh8KCJOJPJQJaJ hIRhSCJOJPJQJaJhvCJOJPJQJaJ hIRhkCJOJPJQJaJ hIRhZ%.CJOJPJQJaJ#h&hZ%.5CJOJPJQJaJh<  : ; $ d^a$gdBp $a$gdBp$ dP^a$gdBp$ dx^`a$gdBp $a$gdBp $Pa$gdY\ $  a$gdBpW Y ` b   9 : N O ! / 0 K L Ʒyyyyyyj[y[y[y[y[h2ZLhzzCJOJPJQJh2ZLhRICJOJPJQJh2ZLh:dCJOJPJQJh2ZLhq?CJOJPJQJh2ZLhZ%.CJH*OJPJQJh2ZLhZ%.5CJOJPJQJh2ZLhZ%.CJOJPJQJh2ZLhZ%.OJPJQJaJh2dOJPJQJaJ hIRhZ%.CJOJPJQJaJhkCJOJPJQJaJ#  : ; \ c w ; < p q ҴucuTEh2ZLh-CJOJPJQJh2ZLh}pCJOJPJQJ"h2ZLh@5CJOJPJQJ\"h2ZLhZ%.5CJOJPJQJ\h2ZLh$qCJOJPJQJh2ZLhZ%.OJPJQJaJh2ZLhpTCJOJPJQJh2ZLhX(CJOJPJQJh2ZLhCJOJPJQJh2ZLhCJOJPJQJh2ZLhZ%.5CJOJPJQJh2ZLhZ%.CJOJPJQJ .?ADqvwĵĦ|paTG:h2ZLhnvCJOJQJh2ZLhZ%.CJOJQJh2ZLhp4SCJOJQJh2ZLhp4SCJOJPJQJhccCJOJPJQJh`@CJOJPJQJh2ZLh CJOJPJQJh2ZLhBpCJOJPJQJh2ZLhb(CJOJPJQJh2ZLh; CJOJPJQJh2ZLh}pCJOJPJQJh2ZLh+CJOJPJQJh2ZLhp/WCJOJPJQJh2ZLhCJOJPJQJ 5LTlR$ 0FFd^F`a$gdBp$ pd^a$gdBp$ pd^a$gdBp$ 0FJd^J`a$gdBp$ 0FJd^J`a$gdBp$ 0:d^`:a$gdBp$Jd^J`a$gdBp %@HTXhPŸssf\fNhzCJOJPJQJaJhzCJOJQJh2ZLhzCJOJQJh2ZLhp CJOJQJh\CJOJQJh6CJOJQJh2ZLh`CJOJQJh2ZLhCJOJQJh*%CJOJQJh2ZLhZ%.CJOJQJh2ZLh~5CJOJQJh2ZLh; CJOJQJhBCJOJQJhkCJOJQJh2ZLh<"hCJOJQJPƵ䖈{lZlJl;h2ZLhdCJOJPJQJh2ZLhZ%.CJH*OJPJQJ"h2ZLhZ%.5CJOJPJQJ\h2ZLhZ%.CJOJPJQJh2ZLh||CJOJQJh6CJOJPJQJaJh\CJOJPJQJaJ h2ZLh:CJOJPJQJaJ h2ZLhp CJOJPJQJaJ h2ZLh||CJOJPJQJaJh2ZLh`CJOJQJhzCJOJPJQJaJhPCJOJPJQJaJ +)6RⲦⲗyjj[jLh2ZLhgCJOJPJQJh2ZLhX(CJOJPJQJh2ZLhXCJOJPJQJh2ZLh9CJOJPJQJh2ZLhq?CJOJPJQJh2ZLh:dCJOJPJQJhhwCJOJPJQJh2ZLh||CJOJPJQJh2ZLhnoCJOJPJQJ"h2ZLhZ%.5CJOJPJQJ\h2ZLhZ%.CJOJPJQJh2ZLh~5CJOJPJQJL|u||nnxgdxgdi%xgd#p $a$gdM ($ 0Fd^`a$gds$ 0FJd^J`a$gdAP$ 0FJd^J`a$gdX$ 0FJd^J`a$gdBp ).JKLMtǻ⻬❑rbSD8hR CJOJQJaJh5Ih5ICJOJQJaJh5I56CJOJQJaJh2ZLhN5OJPJQJaJh2ZLh(5OJPJQJaJh2ZLhAPCJOJPJQJhZ%.CJOJPJQJh2ZLhX(CJOJPJQJh2ZLhZ%.CJOJPJQJhsCJOJPJQJhAPCJOJPJQJh2ZLhkCJOJPJQJh2ZLhXCJOJPJQJh2ZLhSCJOJPJQJ#BLOWe|pp`N@"CJKH$OJQJ^JaJh7sfCJKH$OJQJ^JaJ'h2ZLhlO6CJKH$OJQJ^JaJ$h2ZLhlOCJKH$OJQJ^JaJ$h2ZLhMCJKH$OJQJ^JaJh2ZLhM6CJOJQJaJh2ZLhMCJOJQJaJhl;hl;CJOJQJaJh7CJOJQJaJhWCJOJQJaJhl;6CJOJQJaJhl;CJOJQJaJ%% %=%Q%[%\%c%d%f%t%u%%%%%f&&&'ȹȹsdTC4h2ZLh[ CJOJQJaJ h2ZLhCJOJPJQJaJh2ZLh6CJOJQJaJh2ZLhCJOJQJaJh2ZLhHlMCJOJQJaJhHlMhHlM6CJOJQJaJhHlMhHlMCJOJQJaJh>@"CJOJQJaJhrECJOJQJaJh2ZLh>@"CJOJQJaJh2ZLh>@"6CJOJQJaJ$h2ZLh>@"CJKH$OJQJ^JaJ'h2ZLh>@"6CJKH$OJQJ^JaJ%&2'''F())**+A,,--..R/{00 $xa$gdY $xa$gd} $Pa$gd} $xa$gd} $xa$gd@ $xa$gd5 $xa$gd $xa$gd''1'2'3']'_'n'o'{''''''(((0(E(F(³¦‡xhxYIYI:Yh2ZLh~CJOJQJaJh2ZLh h}6CJOJQJaJh2ZLh h}CJOJQJaJh2ZLha}6CJOJQJaJh2ZLha}CJOJQJaJh2ZLhoCJOJQJaJh2ZLhM`6CJOJQJaJh+6CJOJQJaJh2ZLhr~CJOJQJaJh2ZLhM`CJOJQJaJh2ZLh[ CJOJQJaJh2ZLh>mCJOJQJaJh2ZLh[ 6CJOJQJaJF(X(`(v((((((((()))9)))))))))о~m~\\K h2ZLhCJOJPJQJaJ h2ZLh|CJOJPJQJaJ h2ZLh'CJOJPJQJaJ#h2ZLhLv6CJOJPJQJaJ h2ZLhLvCJOJPJQJaJ h2ZLh5CJOJPJQJaJhjCJOJQJaJ#h,hj6CJOJPJQJaJ h,hjCJOJPJQJaJh,hj6CJOJQJaJh,hjCJOJQJaJ))*!*V*|*}********++N+n++++++++ﻪwfwfXfFff? h2ZLh}#h2ZLh}CJH*OJPJQJaJh CJOJPJQJaJ h2ZLh}CJOJPJQJaJ#h2ZLh6CJOJPJQJaJ#h2ZLh}6CJOJPJQJaJh2ZLh}CJOJQJaJ h2ZLh CJOJPJQJaJ h2ZLh%^CJOJPJQJaJ#h2ZLh, 6CJOJPJQJaJ h2ZLh<"hCJOJPJQJaJ h2ZLh, CJOJPJQJaJ+!,@,U,W,,,,,,,1-P-T-b-~-----縉ufWF5 h2ZLh BCJOJPJQJaJ h2ZLh'bCJOJPJQJaJh2ZLhUPCJOJPJQJh2ZLhYCJOJPJQJ h2ZLh^MCJOJPJQJaJ#h2ZLhY6CJOJPJQJaJ h2ZLhYCJOJPJQJaJ h2ZLh: CJOJPJQJaJ#h2ZLh}6CJOJPJQJaJ#h2ZLh}CJH*OJPJQJaJ h2ZLh&CJOJPJQJaJ h2ZLh}CJOJPJQJaJ-..,.-...0.B.C.E.J.P.Q.Y.Z.b.m.n.s.t.v.......ܼxggUxDx h2ZLhNMCJOJPJQJaJ#h2ZLh=6CJOJPJQJaJ h2ZLhXWCJOJPJQJaJ h2ZLhVuCJOJPJQJaJ h2ZLh^KCJOJPJQJaJ h2ZLh=CJOJPJQJaJ h2ZLh:dCJOJPJQJaJ h2ZLhJTCJOJPJQJaJh2ZLhkXCJOJPJQJ h2ZLh BCJOJPJQJaJ#h2ZLh B6CJOJPJQJaJ............ / ///#/$/%/&/*CJOJQJaJhCJOJPJQJaJ h2ZLhCJOJPJQJaJh2ZLhCJOJQJaJ#h2ZLh6CJOJPJQJaJhCJOJQJaJh(CJOJQJaJhhCJOJQJaJ:5>5B5C5D5K5L5M5j566*67686~666ƶudRB1 h2ZLh|8CJOJPJQJaJh2ZLh|8CJOJQJ]aJ"h2ZLh|86CJOJQJ]aJ h2ZLhDkdCJOJPJQJaJ h2ZLh.CJOJPJQJaJ#h2ZLh.6CJOJPJQJaJh2ZLh.CJOJQJaJh2ZLhDkdCJOJQJaJh2ZLhDkd6CJOJQJaJh ;6CJOJQJaJh ;CJOJPJQJaJ h2ZLh ;CJOJPJQJaJhCJOJPJQJaJ6666666666666 7b7d7p7r7777Ƕ॔{jYj{G6 h2ZLhmCJOJPJQJaJ#h2ZLh46Q6CJOJPJQJaJ h2ZLhfcCJOJPJQJaJ h2ZLhjsCJOJPJQJaJ#h2ZLhjs6CJOJPJQJaJ h2ZLh`, h2ZLhbCJOJPJQJaJ h2ZLh`,CJOJPJQJaJ h2ZLh=VCJOJPJQJaJ h2ZLh=V#h2ZLh|86CJOJPJQJaJ h2ZLh|8CJOJPJQJaJh2ZLh|8CJOJQJaJ777777777777 8+888?8B8D8f8̺sbQbs?#h2ZLhx6CJOJPJQJaJ h2ZLhf1{CJOJPJQJaJ h2ZLh)CJOJPJQJaJ h2ZLh_CJOJPJQJaJ#h2ZLh [6CJOJPJQJaJ#h2ZLh_6CJOJPJQJaJ#h2ZLh 6CJOJPJQJaJ#h2ZLhjs6CJOJPJQJaJ#h2ZLh46Q6CJOJPJQJaJ h2ZLhmCJOJPJQJaJ h2ZLh|8CJOJPJQJaJf8k88888888888888 9"9+9̺ޘvevUF6Fh2ZLh`CJH*OJQJaJh2ZLh`CJOJQJaJh2ZLh`6CJOJQJaJ h2ZLhf1{CJOJPJQJaJ h2ZLh|CJOJPJQJaJ h2ZLh CCJOJPJQJaJ h2ZLh?hPCJOJPJQJaJ h2ZLh#]CJOJPJQJaJ#h2ZLh?hP6CJOJPJQJaJ#h2ZLhx6CJOJPJQJaJ h2ZLhxCJOJPJQJaJ h2ZLhCJOJPJQJaJ+989K9L9M9Y9Z9f9g9i9k9r9w9|9}9~999ñ|kZk|I|k9h2ZLhF6CJOJPJQJ h2ZLhf1{CJOJPJQJaJ h2ZLhCJOJPJQJaJ h2ZLh`CJOJPJQJaJ h2ZLh!|nCJOJPJQJaJ#h2ZLh`6CJOJPJQJaJ#h2ZLh:d6CJOJPJQJaJ#h2ZLh?hP6CJOJPJQJaJh2ZLh2CJOJQJaJh2ZLh`6CJOJQJaJh2ZLh`CJOJQJaJh2ZLhrCJOJQJaJ999:e:f:k:l:w:x::::::::::: ;õ{k\k\PA\kh2ZLhJ`CJOJPJQJhJ`CJOJPJQJh2ZLhD>ZCJOJPJQJh2ZLhD>Z6CJOJPJQJh2ZLh6CJOJPJQJh2ZLhyGCJOJQJ]h2ZLh FCJOJQJ]h2ZLh;CJOJQJ]h2ZLhFCJOJQJ]h2ZLhF6CJOJQJ]h2ZLhFCJOJPJQJh2ZLhF6CJOJPJQJhJ`6CJOJPJQJ ;; ;L;;;;;;;;;A<F<G<c<d<w<x<<<<<<<ҵҨҵŚxexVxGh>5Cʴϴ5Cʴϴ%2ܳݴ56Cʴϴ"2ܳݴ5Cʴϴ2ܳN5Oʴϴ2ܳ(5Oϴ2ܳy䴳ϴ2ܳ?6Cϴ2ܳ%.䴳ϴ2ܳ%.6Cϴ2ܳ>䴳ʴϴ2ܳy䴳ʴϴ<<<<<<<<=== = ==1=3=7===оucPcu>>"2ܳ*35Cʴϴ%2ܳ*356Cʴϴ"2ܳ0(5Cʴϴ%2ܳԱ56Cʴϴ"2ܳԱ5Cʴϴ"2ܳ.5Cʴϴ"2ܳ#5Cʴϴ"2ܳ:5Cʴϴ"2ܳݴ5Cʴϴ>5Cʴϴ5Cʴϴ<<G==?)@,A5AAB]CkD EEF\H#ICII $a$gdq $xxa$gd $a$gd" $Pa$gdc $Pa$gd& $Pa$gd& $xa$gd/V $Pa$gdC $(Pa$gdBp==E=G=H=]=^=_=`=u=v={=|=======>>>>&>'>(>)>G>H>I>J>\>]>^>_>p>q>r>s>>>>>>>>>>>>>;;;}}}}}}}}}}}}}}}}h2ZLh"5CJOJPJQJh2ZLh:d5CJOJPJQJ"h2ZLh"6CJOJPJQJ]h2ZLh.CJOJPJQJh2ZLh"CJOJPJQJh2ZLh:dCJOJPJQJ"h2ZLhnI]5CJOJPJQJ\"h2ZLhs%5CJOJPJQJ\1>>>>>>>>>???@???????@ @ @@)@*@ﺨo]]Nh2ZLh:dCJOJPJQJ"h2ZLh>5CJOJPJQJ\(h2ZLh 56CJOJPJQJ\]"h2ZLh 5CJOJPJQJ\"h2ZLh.5CJOJPJQJ\"h2ZLhz#5CJOJPJQJ\"h2ZLh:d5CJOJPJQJ\%h2ZLh"56CJOJPJQJ]h2ZLh:d5CJOJPJQJh2ZLh"5CJOJPJQJ*@>@?@@@A@P@Q@R@S@T@d@e@f@g@h@p@q@r@s@t@@@@@@@@@@@+A,A4A5AGAOAeAAA񦖇xhxhxhfhf6CJOJQJaJhfhfCJOJQJaJh7hcCJOJPJQJh2ZLhc5OJPJQJaJhmr3CJOJPJQJ"h2ZLhZ%.6CJOJPJQJ]h2ZLh`CJOJPJQJh2ZLh:dCJOJPJQJh2ZLh.CJOJPJQJh2ZLhZ%.CJOJPJQJ&AAAAAAAAAAAB'B2B9BBBBBC-C]CCɹɨɹɅsaSB h2ZLh&CJOJPJQJaJh(7WCJOJPJQJaJ#h2ZLhI6CJOJPJQJaJ#h2ZLh6CJOJPJQJaJ h2ZLhICJOJPJQJaJ#h2ZLh&6CJOJPJQJaJ h2ZLh&CJOJPJQJaJh2ZLh&6CJOJQJaJh2ZLh&CJOJQJaJhfhfCJOJQJaJhf6CJOJQJaJhfCJOJQJaJCCCCCCCC(D)D]D^D`DiDjDkDlDvDDDDDͣͣ͸xcMcM7c+h2ZLh 6CJOJQJaJmHnHsH+h2ZLh\ 6CJOJQJaJmHnHsH(h2ZLh\ CJOJQJaJmHnHsH"h(7WCJOJQJaJmHnHsH0h2ZLh&0J>*B*CJOJPJQJaJph)jh2ZLh&CJOJPJQJUaJ(h2ZLh&CJOJQJaJmHnHsH h2ZLh&CJOJPJQJaJh6CJOJPJQJaJ#h2ZLh&6CJOJPJQJaJDDDDDE E E EFErEsEEEFFFFJG雊zkYkGG6 h2ZLh&CJOJPJQJaJ#h2ZLhc6CJOJPJQJaJ"h2ZLhc6CJOJQJ]aJh2ZLhcCJOJQJaJh2ZLhc6CJOJQJaJ h2ZLhcCJOJPJQJaJ h2ZLh\ CJOJPJQJaJ(h2ZLh; CJOJQJaJmHnHsH(h2ZLh\ CJOJQJaJmHnHsH%hF6CJOJQJaJmHnHsH+h2ZLh\ 6CJOJQJaJmHnHsHJGGGGGGHHHJHKH\HHHHH#IBIͼveSeBe2h2ZLh6#5OJPJQJaJ h2ZLh$CJOJPJQJaJ#h2ZLhx6CJOJPJQJaJ h2ZLhxCJOJPJQJaJ0h2ZLh&0J>*B*CJOJPJQJaJph/jh2ZLh&CJOJPJQJUaJ)jh2ZLh&CJOJPJQJUaJ h2ZLh&CJOJPJQJaJ#h2ZLh&6CJOJPJQJaJh2ZLh&CJOJPJQJ]h2ZLh&6CJOJPJQJBICIKILITIoIpIqIIIIIJ J,J-J.J2J9JMJOJyJzJ{JJJJJLKKѿ࿫teT h *56CJOJPJQJaJh *5CJOJPJQJaJ#hhq5CJOJPJQJaJ&h2ZLhq5CJH*OJPJQJaJ hq56CJOJPJQJaJ&h2ZLhq56CJOJPJQJaJ#h2ZLhq5CJOJPJQJaJh;5CJOJPJQJaJhq5CJOJPJQJaJhh5OJPJQJaJIIJKK/LLL9MM N8NN{o $Pa$gd$0P^`0a$gd4 V$0^`0a$gd4 V$ P^ `a$gd$^`a$gdP`$P^`a$gdQ$P^a$gdq$^a$gdq KKK/L;L>L[LkLLLLLLLLL˼xgUF7F(hP`5CJOJPJQJaJhR5CJOJPJQJaJh5CJOJPJQJaJ#hQhQ5CJOJPJQJaJ hQ56CJOJPJQJaJ&h2ZLhQ56CJOJPJQJaJh)S5CJOJPJQJaJ#h2ZLhQ5CJOJPJQJaJh`5CJOJPJQJaJhQ5CJOJPJQJaJ#hP[YhP[Y5CJOJPJQJaJhyD5CJOJPJQJaJ&h *h *56CJOJPJQJaJLLM7M8M9M=MAMBM\M]McMeMfMgMjMrMzM{MMMMMMMMMMMMMMNñâñrñ``rr``#h2ZLh;5CJOJPJQJaJ#h2ZLhj5CJOJPJQJaJhpG 5CJOJPJQJaJh" 5CJOJPJQJaJh};5CJOJPJQJaJ#h2ZLh6#5CJOJPJQJaJh4 V5CJOJPJQJaJhLS5CJOJPJQJaJh5CJOJPJQJaJh15CJOJPJQJaJ N7N8NNNNNOAOFO[OsOOOOOOOOOOO̺sdUsF7U7F7s7shd(n5CJOJPJQJaJh0f5CJOJPJQJaJh$5CJOJPJQJaJh5CJOJPJQJaJ#h2ZLh6#5CJOJPJQJaJh/c5CJOJPJQJaJ#h2ZLhi5CJOJPJQJaJ&h2ZLh 56CJOJPJQJaJ#h2ZLh 5CJOJPJQJaJ#h2ZLhl;5CJOJPJQJaJh6#5CJOJPJQJaJ#h2ZLh4 V5CJOJPJQJaJNNAOO3PP.QsQQRbRRR|i$ Td^a$gd6#$ da$gd6#$d(^a$gd6#$0^0`a$gd6#$ Pa$gd6#$ Pa$gd6#$ FPa$gd6# $Pa$gd6# $Pa$gdi OOOOPP#P2PzPPPPQ,QQRbRTURUqUU۽۩ەہەrerVJ>JhcF:CJOJQJaJhpCJOJQJaJh2ZLhZ%.OJPJQJaJh2ZLh6#CJOJQJh2ZLh6#CJOJPJQJ&h2ZLh6#5CJH*OJPJQJaJ&h2ZLh6#56CJOJPJQJaJ&h2ZLhT'M56CJOJPJQJaJhb5CJOJPJQJaJh:35CJOJPJQJaJ#h2ZLh6#5CJOJPJQJaJ#h2ZLhT'M5CJOJPJQJaJRKSSS?TTTUU|V,WWXHYwwww $xa$gd< $xa$gdp $a$gd $xa$gdp $a$gdC$ 0d(a$gd6#$ F0(^0`a$gd6#$d(^a$gd6#$ d(a$gd6# UUUUUUUUU VVV!V5VBVDVsVtV{V|VVVVVVVVW$W(W)W*W,WWܿܳܳܳܳ܌teeeeVh2ZLh#,CJOJQJaJh2ZLh}CJOJQJaJhYCJOJQJaJh&CJOJQJaJh}CJOJQJaJhO- CJOJQJaJhhCJOJQJaJh6CJOJQJaJhhCJH*OJQJaJh6CJOJQJaJhCJOJQJaJhpCJOJQJaJhCJOJQJaJ!WW_X`X|X}XXHYYYYSZrZsZ[[[3[>[P[S[{[ʻp`p`PpAh2ZLh\DCJOJPJQJh2ZLh 6CJOJQJaJh2ZLh\D6CJOJQJaJh2ZLh\DCJOJQJaJh2ZLhCJOJQJaJh2ZLh#W2CJOJQJaJh2ZLh<CJOJQJaJh2ZLh>mCJOJQJaJh2ZLhA;CJOJQJaJh2ZLh# CJOJQJaJh}CJOJQJaJh2ZLhoCJOJQJaJh#,CJOJQJaJHYYsZ[[\)]]^:__`]aaBb cjccd0ef8gh $xa$gdOF. $xa$gdn $xa$gdBp $xxa$gd\?\A\l\\\\\\\ϾzhWWF5 h2ZLh-ICJOJPJQJaJ h2ZLh] CJOJPJQJaJ h2ZLhTCJOJPJQJaJ#h2ZLh*CJH*OJPJQJaJ h2ZLh*CJOJPJQJaJ h2ZLh8~GCJOJPJQJaJ h2ZLhI/CJOJPJQJaJ h2ZLhNCJOJPJQJaJ h2ZLh CJOJPJQJaJ h2ZLh\DCJOJPJQJaJh2ZLh\DCJOJPJQJh2ZLh\DCJH*OJPJQJ\\\\\(])]K]]]_]]]]^#^+^L^^Գp_N=N.h2ZLhTCJOJPJQJ h2ZLh3CJOJPJQJaJ h2ZLhH9CJOJPJQJaJ h2ZLhTCJOJPJQJaJh2ZLh[vCJOJPJQJ h2ZLhICJOJPJQJaJ#h2ZLh[v6CJOJPJQJaJ h2ZLh[vCJOJPJQJaJ h2ZLh-ICJOJPJQJaJh2ZLh-ICJH*OJPJQJh2ZLh-ICJOJPJQJh@ 1CJOJPJQJ h2ZLhx_CJOJPJQJaJ^^^^^^^^^_$_&_(_9_:_<_P_Q___________ϾϾϾϏϏϏϏqbqSh2ZLh:dCJOJPJQJh2ZLhCJOJPJQJh2ZLhmCJOJPJQJh2ZLhG7CJOJPJQJ h2ZLhmCJOJPJQJaJh2ZLhtCJOJPJQJh2ZLhwFCJOJPJQJ h2ZLhwFCJOJPJQJaJ h2ZLh:dCJOJPJQJaJ h2ZLhTCJOJPJQJaJh2ZLhPCJOJPJQJ_8`T`U`V`W`Y```````````Oa\a]a_aóäÔuffVfGf:h2ZLh:dCJOJQJh2ZLhhCJOJQJaJh2ZLhJCJH*OJQJaJh2ZLhJCJOJQJaJh2ZLhJ6CJOJQJaJh2ZLh:dCJOJQJaJh2ZLhw6CJOJQJaJh2ZLhCJOJQJaJh2ZLhwCJH*OJQJaJh2ZLhwCJOJQJaJh2ZLh:dCJOJPJQJh2ZLhw6CJOJPJQJh2ZLhwCJOJPJQJ_aqarata|a}aaaaaaaaaaaaaaabb b b$bAbBbCbbbbٿٲ棔vvggZZh2ZLhdy@CJOJQJh2ZLh;CJOJPJQJh2ZLh&CJOJPJQJh2ZLh:dCJOJPJQJh2ZLh%CJOJPJQJh2ZLh7SCJOJPJQJh2ZLh7SCJOJQJh2ZLhQCJOJQJh2ZLhxCJOJQJh2ZLhtCJOJQJh2ZLh:dCJOJQJh2ZLhBk?CJOJQJbbbbbbbb c ccccc!c"c:co?oIoJooooo1p2ppppppqqͿͮ͠ra hhhhCJOJPJQJaJhmCJOJPJQJaJhhCJOJPJQJaJ#hh-s%5CJOJPJQJaJh/VCJOJPJQJaJ h2ZLhCJOJPJQJaJh1P8CJOJPJQJaJ h2ZLhZ%.CJOJPJQJaJ h2ZLh:dCJOJPJQJaJ h2ZLh5BCJOJPJQJaJ$qqqqqqrrrrss ttt#tptt(u6uu'v/vPv]v?whwx6x_xwxxx+y8yyyyyyyܽ{i{"h2ZLh' 5OJPJQJ\aJh-s%5OJPJQJ\aJ"h2ZLh5OJPJQJ\aJh-s%hOJPJQJaJ#hh6CJOJPJQJaJ hhCJOJPJQJaJhCJOJPJQJaJ hh-s%CJOJPJQJaJ#hh-s%6CJOJPJQJaJ(vPvvwTxx+yyy0zz{7||+}~u~WȀCۃ@ $Pa$gdN~ $a$gdX$a$gd $xa$gdyyyyyyy!z#z)z.z0zczqzzz5{R{{{{{{{{|||ĵĵĵĩth[h[hLhLhh2ZLhCJOJQJaJh6CJOJQJaJhCJOJQJaJht6CJOJQJaJhtCJOJQJaJhX>hX>CJOJQJaJhX>6CJOJQJaJhX>CJOJQJaJh0h0CJOJQJaJh0CJOJQJaJh5OJPJQJ\aJh-s%5OJPJQJ\aJ"h2ZLh{5OJPJQJ\aJ|||6|7|||||+};}]}}~~~~d~t~u~ǻxcQcE9EhSCJOJQJaJhCJOJQJaJ"hH8CJOJQJaJmHnHtH(hH8hH8CJOJQJaJmHnHtHhH8hH86CJOJQJaJhH8hH8CJOJQJaJh7CJOJQJaJhH8CJOJQJaJh*_)CJOJQJaJhN~CJOJQJaJhhCJOJQJaJhCJOJQJaJh6CJOJQJaJh2ZLh6CJOJQJaJu~v~~~~~~WhyzĀƀǀȀҀ/B影uiYiJihhSFCJOJQJaJhhSF6CJOJQJaJhSFCJOJQJaJhU4?6CJOJQJaJh2ZLhU4?6CJOJQJaJh2ZLhU4?CJOJQJaJhU4?hU4?6CJOJQJaJhU4?CJOJQJaJh-2CJOJQJaJhh6CJOJQJaJh*_)CJOJQJaJhhCJOJQJaJhCJOJQJaJBCHρFpΥufQ(h2ZLh2ZLCJOJQJaJmHnHsH h(h(CJOJQJaJhCJOJQJaJhaCJOJQJaJhq1CJOJQJaJh5CJOJQJaJh=Rh=RCJOJQJaJhU4?6CJOJQJaJh=R6CJOJQJaJhU4?CJOJQJaJhlCJOJQJaJh=RCJOJQJaJhSF6CJOJQJaJ;>ۃ03459<>?@JVW[jƄ؄ٻ~qehmr3CJOJQJaJhmr36CJOJQJaJ h2ZLh8}CJOJPJQJaJh8}6CJOJQJaJh2ZLh8}CJOJQJaJh2ZLh8}6CJOJQJaJh8}CJOJQJaJ"h XyCJOJQJaJmHnHsH (h2ZLh2ZLCJOJQJaJmHnHsH "h bCJOJQJaJmHnHsH $@gsņk‡fB6UPgdN~ $Pa$gdN~؄gvՅ456SsĆņjlWH9-heCJOJQJaJh2ZLheCJOJQJaJh2ZLh%CJOJQJaJ(h2ZLh%CJOJQJaJmHnHsH (h2ZLh2ZLCJOJQJaJmHnHsH "h@ 1CJOJQJaJmHnHsH (h2ZLhlCJOJQJaJmHnHsH hmr3CJOJQJaJhmr36CJOJQJaJ(h2ZLhl8CJOJQJaJmHnHsH (h2ZLh+CJOJQJaJmHnHsH (h2ZLheCJOJQJaJmHnHsH jkz‡ч"4TcfuɈۈACĵӦӈӗyjZjNh_;CJOJQJaJh2ZLhL\CJH*OJQJaJh2ZLhL\CJOJQJaJh2ZLheCJOJQJaJh2ZLh[-CJOJQJaJh2ZLh.O/CJOJQJaJh2ZLhE*CJOJQJaJh2ZLh%CJOJQJaJh2ZLhhTCJOJQJaJhmr3CJOJQJaJhmr36CJOJQJaJ&h2ZLhmr35CJOJPJQJ\aJ ABT\r}̊͊Ί̺|m^mO=#h2ZLhUCJOJPJQJ\aJh2ZLh'X CJOJQJaJh2ZLhqCJOJQJaJh2ZLh\DCJOJQJaJh2ZLh 6CJOJQJaJh2ZLhV>6CJOJQJaJh2ZLhV>CJOJQJaJh2ZLh$CJOJQJaJ#h2ZLh$CJOJPJQJ\aJ#h2ZLh_;CJOJPJQJ\aJh_;CJOJPJQJ\aJ#h2ZLh*OCJOJPJQJ\aJΊ׊ي݊:˿˭}m}[G3G&h2ZLh 6CJOJPJQJ\aJ&h2ZLhZ6CJOJPJQJ\aJ#h2ZLhC)CJOJPJQJ\aJh2ZLh-6CJOJQJaJh2ZLhC)CJOJQJaJh2ZLhUCJOJQJaJ#h2ZLhUCJOJPJQJ\aJ#h2ZLh_;CJOJPJQJ\aJh_;CJOJQJaJh_;CJOJPJQJ\aJ#h2ZLh*OCJOJPJQJ\aJ&h2ZLh*O6CJOJPJQJ\aJ΋܋01o]I]:]h_;CJOJPJQJ\aJ&h2ZLh<S6CJOJPJQJ\aJ#h2ZLh<SCJOJPJQJ\aJ#h2ZLh_;CJOJPJQJ\aJ2h2ZLhfsCJKH$OJPJQJ\aJmH nH u2h2ZLh!CJKH$OJPJQJ\aJmH nH u2h2ZLhfCJKH$OJPJQJ\aJmH nH uh2ZLhW*{CJOJQJaJh2ZLhZCJOJQJaJ#h2ZLhZCJOJPJQJ\aJƍǍȍɍ؍ٍڍލ+/56Sy۵ɏ}n^On@h2ZLhE6CJOJQJaJh2ZLhJCJOJQJaJh2ZLhm6CJOJQJaJh2ZLhmCJOJQJaJ#h2ZLh<SCJOJPJQJ\aJ#h2ZLh ,XCJOJPJQJ\aJ&h2ZLhm6CJOJPJQJ\aJ&h2ZLh6CJOJPJQJ\aJ#h2ZLhE6CJOJPJQJ\aJ#h2ZLhCJOJPJQJ\aJ#h2ZLhmCJOJPJQJ\aJǎóÕtcRcA0 h2ZLh$wCJOJPJQJaJ h2ZLh:dCJOJPJQJaJ h2ZLhfCJOJPJQJaJ h2ZLh-1OCJOJPJQJaJ h2ZLhZCSCJOJPJQJaJh2ZLhZCSCJH*OJQJaJh2ZLhjsCJOJQJaJh2ZLhZCSCJOJQJaJh2ZLhZCS6CJOJQJaJh2ZLh:d6CJOJQJaJh2ZLhmCJOJQJaJh2ZLhE6CJOJQJaJh2ZLhfCJOJQJaJ$GIMNTU )7Y޼޼ޭqbbqbSbh2ZLhjsCJOJQJaJh2ZLh{CJOJQJaJh2ZLhCJOJQJaJh2ZLh CJOJQJaJh2ZLh:dCJOJQJaJh2ZLh%CJOJQJaJh2ZLh$wCJOJQJaJ h2ZLh;{CJOJPJQJaJ h2ZLhtICJOJPJQJaJ h2ZLh$wCJOJPJQJaJ h2ZLh:dCJOJPJQJaJY[sy~ȑבّؑ'(;<>ʒݒಣܲѲѲfuճG2ܳ9䴳ϴ2ܳx6Cϴ2ܳ:䴳ϴ2ܳ<6CJOJQJaJh2ZLh䴳ϴ2ܳj6Cϴ2ܳ䴳ϴ2ܳ6Cϴ2ܳ䴳ϴ1C䴳ϴ䴳ϴ1䴳ϴ16Cϴ11䴳ϴܘ18ְŚɼɭ١ٓyڲ< h2ZLh-SCJOJPJQJaJh-SCJOJPJQJaJh2ZLhZ%.OJPJQJaJh2ZLhIOJPJQJaJh2ZLhgCJOJQJaJh2ZLhgCJaJh2ZLh{Di5OJQJaJh$CJOJQJaJhah{DiCJOJQJaJhaCJOJQJ]aJhahaCJOJQJ]aJh2ZLh{DiCJOJQJaJh8qCJOJQJaJh1`CJOJQJaJ  #$&0\]^;<ƜݜߜдtfXGX9h`CJOJPJQJaJ h2ZLh*CJOJPJQJaJh~CJOJPJQJaJh0CJOJPJQJaJ h2ZLhJhCJOJPJQJaJ#h@h@6CJOJPJQJaJh@6CJOJPJQJaJh@CJOJPJQJaJh=E8CJOJPJQJaJh-SCJOJPJQJaJ h2ZLh-SCJOJPJQJaJ h2ZLhw CJOJPJQJaJhw CJOJPJQJaJ^<oݝ,yŞ #`P[$\$^``gd6$dPa$gd8fe$dPa$gdBp$dPa$gdJh$dPa$gd6}$dPa$gd0$dPa$gd*$dPa$gd-Sߜ oǝ՝ܝݝ,18yﴦ•v´eTCT h2ZLhE*CJOJPJQJaJ h2ZLhlCJOJPJQJaJ h2ZLhJhCJOJPJQJaJhyrhCJOJPJQJaJ h2ZLhCJOJPJQJaJ h2ZLhM`CJOJPJQJaJh0CJOJPJQJaJh*CJOJPJQJaJ h2ZLh*CJOJPJQJaJh~CJOJPJQJaJhw CJOJPJQJaJ h2ZLh;CJOJPJQJaJyŞ5S<=AZ &'@o^M`*CJOJPJQJh2ZLhL>4CJOJPJQJ h2ZLhL>4CJOJPJQJaJ h2ZLhD7CJOJPJQJaJ h2ZLh(pCJOJPJQJaJ h2ZLh;GICJOJPJQJaJ h2ZLhN2CJOJPJQJaJ h2ZLh2MCJOJPJQJaJ h2ZLh:dCJOJPJQJaJ#h2ZLh2M6CJOJPJQJaJ < P2pæK̨]$da$gdn7{ $da$gdBp $da$gdBp$da$gdBp$ T0P^0`a$gdBp$dPa$gdBp6WZ]xy֣أ񵨗tbQ h2ZLhXACJOJPJQJaJ#h2ZLhj$6CJOJPJQJaJ#h2ZLhj$CJH*OJPJQJaJ h2ZLh:dCJOJPJQJaJ h2ZLhj$CJOJPJQJaJh2ZLh=CJOJQJh2ZLh-/CJOJPJQJh2ZLh%CJOJPJQJh2ZLh[CJOJPJQJh2ZLh:dCJOJPJQJh2ZLh=CJOJPJQJ $%)y|*01P2ijpqæۦӵӥӖӇxl]L:#h2ZLhZ%.6CJOJPJQJaJ h2ZLhZ%.CJOJPJQJaJh2ZLh[sCJOJPJQJhzXCJOJPJQJh2ZLh?CJOJPJQJh2ZLhY CJOJPJQJh2ZLh:dCJOJPJQJh2ZLhZ%.6CJOJPJQJh2ZLhcCJOJPJQJh2ZLhCJOJPJQJh2ZLhZ%.CJOJPJQJh2ZLhpCJOJPJQJh2ZLhj$CJOJPJQJ,>EFYxyӧ CJKTUﻩﻗtﻩcTEh2ZLh:dCJOJPJQJh2ZLh|kCJOJPJQJ h2ZLh(CJOJPJQJaJ#h2ZLh:d6CJOJPJQJaJ h2ZLh~CJOJPJQJaJ#h2ZLh~CJOJPJQJ]aJ#h2ZLhZ%.CJOJPJQJ]aJ#h2ZLhZ%.6CJOJPJQJaJ h2ZLh;CJOJPJQJaJ h2ZLh{CJOJPJQJaJ h2ZLhZ%.CJOJPJQJaJŲרب01C]ⵥxlZH"h2ZLh;5OJPJQJ\aJ"h2ZLhZ%.5OJPJQJ\aJhCJOJPJQJh2ZLh6CJOJPJQJh2ZLhY CJOJPJQJh2ZLhCJOJPJQJh2ZLhZ%.6CJOJPJQJh2ZLhZ%.CJOJPJQJh2ZLh%CJOJPJQJh2ZLh[CJOJPJQJh2ZLh:dCJOJPJQJh2ZLh|kCJOJPJQJ;6e۰0Rgdgda=$dPa$gdR!$da$gdh-$da$gd4$da$gdn7{Ϊ֪ $'39:;DKȹxgVgEg h-5h tCJOJPJQJaJ h-5hrCJOJPJQJaJ h-5hh-CJOJPJQJaJ hhh- h t5aJh2ZLhh-5aJ h z 5aJ h45aJh4CJOJPJQJh2ZLhN2CJOJPJQJh2ZLh^CJOJPJQJhzXCJOJPJQJhNXCJOJPJQJh2ZLhZ%.CJOJPJQJhZVhZVOJPJQJ\aJ'156st{|ٮKzzezeLez;z h-5h<CJOJPJQJaJ0h-5hh-0J>*B*CJOJPJQJaJph)jh-5hh-CJOJPJQJUaJ h-5hh-CJOJPJQJaJ h-5h tCJOJPJQJaJh-5h tCJOJQJaJ h-5hW<CJOJPJQJaJ h-5hoCJOJPJQJaJ h-5hKCJOJPJQJaJ h-5h]|CJOJPJQJaJ h-5h>\CJOJPJQJaJٮڮ^_fgDEeðİ˰ڰ˼˥ޔހlXD'hpthptCJOJQJaJmH nH u'h-5h z CJOJQJaJmH nH u'h-5h]|CJOJQJaJmH nH u'h-5ha=CJOJQJaJmH nH u h-5h@ CJOJPJQJaJ,h-5hH0J>*B*CJOJQJaJphh-5hHCJOJQJaJ%jh-5hHCJOJQJUaJ h-5hh-CJOJPJQJaJ h-5h z CJOJPJQJaJڰ۰(.QRSUVXY[\^_efgiqrxyz{|̻ݡtcVcLcVhA/0JCJaJhRh50JCJaJ!jhRh50JCJUaJhRhR0JCJaJh5 h50Jjh50JUhUojhUoU3h2ZLhpt0JCJOJPJQJ^JaJmH nH u!hQwCJOJQJaJmH nH u!hJ2CJOJQJaJmH nH u!hptCJOJQJaJmH nH u!hHFCJOJQJaJmH nH uRTUWXZ[]^ghi|}~gdh]h&`#$|}~3h2ZLhpt0JCJOJPJQJ^JaJmH nH uhUoh5 hh5. 0 0/ =!"#$% YDyK 9http://www.gothamcenter.org/features/blotter/index.shtmlyK rhttp://www.gothamcenter.org/features/blotter/index.shtml)s666666666vvvvvvvvv666666>6666666666666666666666666666666666666666666666666hH666666666666666666666666666666666666666666666666666666666666666662 0@P`p2( 0@P`p 0@P`p 0@P`p 0@P`p 0@P`p 0@P`p8XV~ 0@ 0@ 0@ 0@ 0@ 0@ 0@ 0@ 0@ 0@ 0@ 0@ 0@ 0@OJQJ_HmH nH sH tH P`PNormal5$7$8$9DH$_HmHnHsH tH uZ`Z Heading 15$7$8$9D@&H$_HmHnHsH tH uZ Z Heading 25$7$8$9D@&H$_HmHnHsH tH uZ Z Heading 35$7$8$9D@&H$_HmHnHsH tH uZ Z Heading 45$7$8$9D@&H$_HmHnHsH tH uZ Z Heading 55$7$8$9D@&H$_HmHnHsH tH uZ Z Heading 65$7$8$9D@&H$_HmHnHsH tH uZ Z Heading 75$7$8$9D@&H$_HmHnHsH tH uZ Z Heading 85$7$8$9D@&H$_HmHnHsH tH uZ Z Heading 9 5$7$8$9D@&H$_HmHnHsH tH uDA`D Default Paragraph FontViV  Table Normal :V 44 la (k (No List @C@Body Text IndentCJDTD Block Text]^CJDRDBody Text Indent 2CJDS"DBody Text Indent 3CJ6U`16 Hyperlink >*B*phXOBXres-body)$  Bd$^`Ba$CJJORJres-head$  xxa$CJTObT res-hd-bold$  xa$5CJHOrHres-pub$  ((a$CJ`O`res-date1$ 0 0d$xx^0`a$CJNON res-detail  0pp^p`4@4"0Header  !.)@. Page Number4 4Footer  !BBB Body TextxCJOJPJQJNg`N HTML TypewriterCJOJPJQJ^JaJFV F FollowedHyperlink >*B* phe !k0HTML PreformattedG 2( Px 4 #\'*.25@95$7$8$9DH$B*OJQJ^JphuZ/Z  k0HTML Preformatted CharB*OJQJ^Jph:/!:R0 Header Char mHnHuf^@2f K0 Normal (Web) #dd5$7$8$9DH$[$\$CJOJQJaJuT BT @_E No Spacing$$CJOJPJ QJ_HaJmH sH tH PZRP &00 Plain Text%5$7$8$9DH$OJQJ^JuB/aB %00Plain Text Char OJQJ^JHrH (iL0 Balloon Text'CJOJ QJ ^J aJZ/Z'iL0Balloon Text CharCJOJ QJ ^J aJmHnHuPK![Content_Types].xmlN0EH-J@%ǎǢ|ș$زULTB l,3;rØJB+$G]7O٭VvnB`2ǃ,!"E3p#9GQd; H xuv 0F[,F᚜K sO'3w #vfSVbsؠyX p5veuw 1z@ l,i!b I jZ2|9L$Z15xl.(zm${d:\@'23œln$^-@^i?D&|#td!6lġB"&63yy@t!HjpU*yeXry3~{s:FXI O5Y[Y!}S˪.7bd|n]671. tn/w/+[t6}PsںsL. J;̊iN $AI)t2 Lmx:(}\-i*xQCJuWl'QyI@ھ m2DBAR4 w¢naQ`ԲɁ W=0#xBdT/.3-F>bYL%׭˓KK 6HhfPQ=h)GBms]_Ԡ'CZѨys v@c])h7Jهic?FS.NP$ e&\Ӏ+I "'%QÕ@c![paAV.9Hd<ӮHVX*%A{Yr Aբ pxSL9":3U5U NC(p%u@;[d`4)]t#9M4W=P5*f̰lk<_X-C wT%Ժ}B% Y,] A̠&oʰŨ; \lc`|,bUvPK! ѐ'theme/theme/_rels/themeManager.xml.relsM 0wooӺ&݈Э5 6?$Q ,.aic21h:qm@RN;d`o7gK(M&$R(.1r'JЊT8V"AȻHu}|$b{P8g/]QAsم(#L[PK-![Content_Types].xmlPK-!֧6 0_rels/.relsPK-!kytheme/theme/themeManager.xmlPK-!R%theme/theme/theme1.xmlPK-! ѐ' theme/theme/_rels/themeManager.xml.relsPK]  ,,,,,/ P7.<U3< !#%'F()+-.T//b01 34:567f8+99 ;<==>*@ACDJGBIKLNOUW{[\^__ab#dze'hjmqy|u~B؄jΊYXeߜy@Uٮڰ|Y[\]_`acdefghijklmnopqstuvwxyz{}~ %0x<INRHYhv@ RZ^br|;(<]<?@J@{fXXXX &(/! !8@0(  B S  ? _Hlt66583038 _Hlt66583039 _Hlt66583057@@@%                                          , K 2J&KmKrLLSVWYV[k^Da-cc3eefP2@ȝ      !"#$ 3 R 2J-KoKyLLSVWYX[m^Ga0cc6eefW Ǖ5Bϝ  !"#$>%*urn:schemas-microsoft-com:office:smarttags PersonName?*urn:schemas-microsoft-com:office:smarttags stockticker %%%%%%%%%%%%%%%%%%%%%%%%%%%%RTUWXZ[]^~k< =RTUWXZ[]^~  --; J M M  8((9:;<uuF !++4444CAC9E9EMMhiquvvvwwΏ{18&009\;Ɣߔ ;;˨QRRTUUWXZ[]^iq~  --; J M M  8((9:;<uuF !++4444CAC9E9EMMhiquvvvwwΏ{18&009\;Ɣߔ ;;˨QR^fq{Qe_n$g(ʡ7+,@d^o£FhGYzJ|66^6`o(66^6`o(-66^6`o(-.66^6`o(-.. 66^6`o( -... 66^6`o( -.... 66^6`o( -..... 66^6`o(-...... ^`o(-.......H H^H` o(^`.pLp^p`L.@ @ ^@ `.^`.L^`L.^`.^`.PLP^P`L.66^6`o(66^6`o(-66^6`o(-.66^6`o(-.. 66^6`o( -... 66^6`o( -.... 66^6`o( -..... 66^6`o(-...... ^`o(-.......66^6`o(66^6`o(-66^6`o(-.66^6`o(-.. 66^6`o( -... 66^6`o( -.... 66^6`o( -..... 66^6`o(-...... ^`o(-.......^`o(^`.pLp^p`L.@ @ ^@ `.^`.L^`L.^`.^`.PLP^P`L. ^` o(  ^ `. L ^ `L.xx^x`.HH^H`.L^`L.^`.^`.L^`L.^oGYzn$g(,@dQe7+(        —                 @ @fv^qddu F&:t}yvV47?i=Tn$L0d< !K()`dHL0V4Tn$i=8BZEzG< !`dH~KvAYv^q:tzGc vqW"1`Msv9FcjQJlOWnp$%.9<I>\: c "p/QDSV [)[c'h{|@xuQwt;J/VdpyC2C<1;VyO$ ) pG G 'X X d6 R n w z   1- O- 1/ / 8 C t | 7   ' J  D'V27SFN$/}W`i #.<Ut|;-2Aaahq|te":IQez !/>t5u] ,6==y[^U)W<O|Qo &a17]'_t`Xd3w}IFk,AYGNns5AS]ier# (/^EXW`X, O( pTX(,56dgn&G9AGPYqF '1KPwbt"E*|8<D c : A n E!e!"z">@"RJ""Q"i"# # #6#]#o#z# $$$]$j$*%;%[%kb%i%-s%n &&'&1&mB&D&s&!'"'''b8'@k'M (k(#(E0(P3(A(O(b(fj(Ez(t)~&)))S;)C)*_)**>`*V ++6+,,%,',*,r/,V,`,-$-P$-.-3-;-[-h- {- ..Z%.OF.U.j./I/.O/H]/t/00?0.0VQ0m0G1@ 1$1)1)1M1~^1L_1q1Cy1N2l'2(2-262`F2#W23$3:3wG3S3wS3mr3|3b444L>4Q4q4$5 5555.5~5666+6E6d6-l6n6t6!7n"7#7i$7D7r7^7_+8z-8=E81P8s9&96:>:D:cF: J:1e:;;u=;Q;Z;];_;z;<<u0<dQ<g<Ny<"=BJ=kM=M=P=c=>V>->1>uF>aZ>c>~>>? ?p!?U4?+6?\K?N?U?eb?Bk?Qv?y?{?-@b @@>@F@@X@oZ@`@dy@Xz@ AEATHAXA_AkA~Ay~A3%B,2B5BABjB42ClOTOiOlOPAPHPUPXP?hP"PQ" Q$Q(Q46Q:QjPR<S S)S#S$Sq/Sp4S7SBSZCSFSLSLSiSQtSSJTR,T YTfTKhThTjT$UCUDUGUMU\UiU V4 V=VBVMVWVZVr\VfVhVp/W(7WyXW<\W X"X ,X(RXSXq`XkXY%Y0Y9YGYP[YZ{ZnZ[[+[+[A[~n[\\\g \G\I\J\rP\ V\r\#]&]nI]^ ^^x^^-^2^6^e^m^r^8__W5_x_$`Q0`D`M`P`\`_`0k`w`aaW aaaa,a /a99a eUe[ece8feM|e$fkUfYfkf7sfJsf gWggqtgh<"h#h5hyrhl~h(i{Di"jUjsjujk kIkUk[kKcksk"vk=zk|kl4l{;l{l{lm$m6m>m!GmNmlmVn7 nd(n$ZnVlnmwn!|n@ooooo%o&o,oO-oUo\lonox~o`p"pp(p"p0p6p{^{|T|g|D|'G|w\|]|`|P}] }*}0}n3}6}8}@}a} h}N~"~P'~;)~N~sX~Gd~r~"&2S6\DINXcbhttUux Fg| _ (#$:44N]PRRGSY` {6;cotX (B#LafAy ESLX Yll-/o35BH]1;`e0f-%BzIzX*baZ%IU[&me*f<?DF]Y`gq?t9rs-x[|+KiLSI-&7LZ:168g<PkjU`k" }%9b]%^9uJdqp795;u>?Cc<)Gh~s()?KS9nw{/*C-Ido 0E\M`[s .2BL %@X`cW"[ #`9;Bku c )4>HIKBpMUn "s%?ZdlvB=z7);0];yi *2B&Uy][hInr "1@KKNd9pz3w6G7@Igrkm-q({,-/ 13;LFmWDYu "a=J)KOX[fl }_$ GV"s)v3DZ\\; NQMTw{x Qhpz[ (@ZNQ+*3mNsD.~@_erZ;Smdmn 'I-:Dy[bdopgv#8"&z/M=Rd 'P1w1w:DMSeljnv[%7 C{-# $z1JJQ&&9DTY\af&+ B FKVk{+@<zMm J'H|{GNMag4- ;i@K+QaPwy~7q2 667ENLd-^k_kxTr8A;9G Q*;@bjqjtt\ K$4B!w)pt]u  0|$r<0@BlJTfjMp} Xv&(iBTL\f 2qj?5Mqc_ i RIOSdU}w+3l8EXhi/+-I5t G!3!DUfmqs8=MaWegfM&ABCmv{; 4H8`0:Xgo}` *J-SAd:fqd"S(ifs!$Op|% !&FQ1`Bpce7hmNz&A/J2(;_H/IIvU)K7BPYimm} %i$ ?|DFGQSwJ )+vK(7kq*s0) kv{2KPzz GISYfhp@ |&.6R00};^MM^n(v!l; BMNDjjK"6IRz@&gm? #,pV I?BOZisAty|~<5#x@bI'(.;8Ybp HTZe#p=&,4nouqr )"Ldco\``zzR!?)h))D,}p4qnvx{ /"ART@dddd@Unknown G.[x Times New Roman5Symbol3. .[x ArialW BatangArial Unicode MSWinheritTimes New Roman3z TimesI. ??Arial Unicode MS?= .Cx Courier NewK@Palatino Linotype7..{$ Calibri9. . Segoe UIA$BCambria Math"AhF*L'"ǘzg-E V3E V3xxr43qXR?82! xx ROBERT Mrobert m. dowlingOwner$      Oh+'0  0 < H T`hpx ROBERT Mrobert m. dowling Normal.dotmOwner221Microsoft Office Word@N+7@W@ڴO@eҷN E  ՜.+,D՜.+,L hp  United States Coast Guard3V  ROBERT M Title 8@ _PID_HLINKSAur lhttps://webmail.ccsu.edu/owa/redir.aspx?C=205723a32de94052bcc055612c48ccaa&URL=mailto%3areyn.sn%40gmail.comU8mailto:j-loving@tamu.eduG9http://www.gothamcenter.org/features/blotter/index.shtmlI5http://ww1.rtp.pt/icmblogs/rtp/comunidades/index.php  !"#$%&'()*+,-./0123456789:;<=>?@ABCDEFGHIJKLMNOPQRSTUVWXYZ[\]^_`abcdefghijklmnopqrstuvwxyz{|}~      !"#$%*Root Entry F0FyN,Data 1TableCfWordDocument0SummaryInformation(DocumentSummaryInformation8CompObjr  F Microsoft Word 97-2003 Document MSWordDocWord.Document.89q